I love these books from Douglas Coupland where the story brings you semi-random from one idiotic hilarious episode into the other. Btw why does Douglas Coupland remind me of Grady
Booch? Both seem a bit scruffy outliers in their worlds – is how I would describe it in an instant answer without much further thought. It the same thing that attracts me in Haruki Murakami’s novels – the semi randomness of the events that lead the protagonists(s) through the story. The story is the way.
I believe my family is psychotic, but this Drummond family excels at it. What starts off as a family event around daughter Sarah’s jump into space – she’s an astronaut, develops into a wild road movie, with
lots of collateral damage.
So take Coupland’s title with a touch of salt, but it’s a great rollercoaster read.
While you are at it also read Coupland’s Player One which has a similar cadence.
I your more have time to shred also read Murakami trilogy 1q84.
By the way Dijkstra could very well have said it. Even though he was a world famous computer scientist, he seems to only have owned a computer himself to read email and surf the web. So at least for him, this statement holds true.
Back to Singularity. I find the choice and place of this quote an example of the shortcomings of this book: the mixing of scientific facts with with personal and vaguely backed predictions. Some predictions are no more than Kurzweil’s personal believes. Also the context in which this quote is placed is odd: Kurzweil in this chapter talks about exponential growth, about Moore’s Law, curve of a paradigm and take over of new paradigm. It is unclear where this Dijkstra quote fits in this story.
This made me think about the differences between Dijkstra and Kurzweil. Dijkstra: unconventional theoretical scientist. Kurzweil: unconventional futuristic engineer. You would expect Dijkstra to be a dry personality and Kurzweil more flamboyant. But surprisingly the big difference and the major shortcoming in Kurzweil’s work is this one thing that Dijkstra sprinkles through all of his work: humour.